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Dr. Oz moving to Atlanta, replacing 'Katie Couric'

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Dr. Mehmet Oz will be moving his popular talk show from Fox 5 to WSB-TV in the fall of 2014, replacing Katie Couric's talk show, WSB-TV general manager Tim McVay confirmed. 
Dr Mehmet Oz

Couric's show, which debuted in the fall of 2012 and airs weekdays on WSB-TV at 3 p.m., will not be back this fall after it failed to break into the top echelon of talk shows. While ratings weren't bad,Deadline. reported that it was a very pricey show to produce and license.

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"The Dr. Oz Show," which airs on Fox 5 at 2 p.m. weekdays, is currently in its fifth season and has become one of the more popular daytime talk shows. During the week ending Dec. 8, his medical show was the fourth most popular syndicated talk program behind the "Dr. Phil Show,""The Ellen DeGeneres Show" and "Live with Kelly & Michael." This season, it has averaged 3.1 million viewers.
This will be Dr. Oz's third home in Atlanta. When it debuted in 2009, the show was on the NBC affiliate WXIA-TV (11 Alive.).  His show moved to Fox 5 in 2011.
Couric, in the meantime, will start working with Yahoo! in January and will continue to create new episodes of "Katie" through June.
A Fox spokeswoman, on a holiday week, couldn't confirm what Fox 5 will replace Dr. Oz with but Fox-owned stations such as WAGA-TV have picked up the latest attempt to copy "The View" called "The Real." (CBS has been flying high lately with "The Talk."). It's set to debut in the fall of 2014. 
The concept is five women of different backgrounds gabbing about issues. Warner Brothers tested the show for four weeks this past summer in seven markets. The five women on the show will be actress Tamera Mowry-Housley, R&B singer Tamar Braxton,comic Loni Love, actress/singer Adrienne Bailon and fashion expert Jeannie Mai.

Château Miraval: the French hideaway where Angelina Jolie and Brad Pitt got married

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Angelina Jolie and Brad Pitt chose none other than their Château Miraval in the south of France as the perfect backdrop to their secret wedding.


The sprawling French hideaway, nestled in the beautiful Provence countryside, has been one of the family's favourite holiday destinations since 2008. Brad even proposed to Angelina there in early 2012, so it naturally seemed the perfect choice for the romantic occasion.
miraval-france-


Not far from Aix-en-Provence, the luxury property, which features a lake, a successful vineyard, a swimming pool, and a forest and moat, would have been the ideal setting for the couple's nuptials.

Located at the end of a three mile-long drive, the retreat offers exactly the sort of privacy they sought. The château, complete with 35 bedrooms and 1,000 acres of breathtaking grounds, is also spacious and would have easily played host to the couple's guests.









The estate, which they bought for £35million back in 2008, is also home to their award-winning wine – they have developed their own rosé wine label, which they have named after the château.

Their wedding is said to have taken place in a small chapel in a private ceremony, attended by their family and friends.
vineyard-provence-


In advance of the non-denominational civil ceremony, Brad, 50, and Angelina, 39, obtained a marriage licence from a local California judge.

The judge also conducted the ceremony in France. French law states that a civil union must take place for a marriage to be considered legal.
lavendar-provence-


The spokesperson for the couple said that all of their six children took part in the wedding.

Their eldest sons, Maddox, 12, and Pax, ten, walked Angelina down the aisle, while Zahara, nine, and five-year-old Vivienne, threw petals. Shiloh, seven, and Knox, five, served as ring bearers during the ceremony.

Black-ish: Season 1

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Black-ish Season 1: Find out all about the new comedy guest starring Laurence Fishburne & cast promotional pics!


blackish
We have to admit, when it was first announced that Laurence Fishburne was cast in the new ABC comedy Black-ish, we were seriously concerned that his Hannibal days were numbered, even more so after the events of the season two finale. However, not to worry Fannibals as Laurence himself has confirmed that he will be dividing his time between both shows.

So what’s his new series Black-ish all about you cry? Well we’ve got all the info on the new comedy which also stars Anthony Anderson and all the cast promotional pictures ahead of its first season.

Head inside for all the details…
The captain of The Matrix‘s Nebuchadnezzar hovercraft is great at fighting in slo-mo and giving exposition. But is he funny? The answer’s a definite “yes”—at least, according to Anthony Anderson, who stars with Laurence Fishburne (a.k.a. Morpheus) in the upcoming sitcom Blackish. “Laurence started out on Pee Wee’s Playhouse back in the day”. “People forget about his sense of humor and his comedic timing and abilities.”
The main story of the show revolves around a upper middle class black family man struggling to gain a sense of his cultural identity while he raises his kids in a mostly white and also upper class area. It seems that cultural identity will be a key theme of this new show.
Anthony Anderson plays the lead in the show, while Tracee Ellis Ross will take on the role of his wife and Laurence Fishburne will play the title character’s father “Pops”.
blackish

While Fishburne himself will be splitting his time between the new series and Hannibal when the third season starts up again, the show is actually going to be produced by his own Cinema Gypsy production company.


The half hour long series, which is scripted by Kenya Barris, is loosely based on his own life while he has said previously how he was the “black guy at work” and his kids were the “black kids at school” when discussing the idea for the series.

blackish

The show also stars child actors; Miles Brown and Yara Shadidi, who viewers may recognize from her the film Imagine which she starred alongside Eddie Murphy.

The series is set to air its first episode on ABC on September 24th.

Check out the trailer for the series below 




 Could this be another hit comedy ?





The 2014 CMA AWARDS NOMINATIONS; HERSTORIC!!

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Miranda Lambert Matches Personal Record For Most Nominations For The 48th Annual CMA Awards With Nine Nods


Hosted by Brad Paisley and Carrie Underwood for the Seventh Year, the 2014 CMA Awards Airs Live From the Bridgestone Arena in Nashville Wednesday, Nov. 5 on ABC
NASHVILLE– Miranda Lambert tops the list of final nominees for “The 48th Annual CMA Awards” with nine nominations, matching the record she set in 2010 – the most for any female artist in the history of the CMA Awards. Alan Jackson received 10 nominations in 2002. Prior to that, Merle Haggard held the record with nine in 1970.
Dierks Bentley received five nominations. Eric Church and Keith Urban collected four nominations each, and Luke BryanKacey MusgravesBlake Shelton, andCarrie Underwood each received three nominations for trophies that will be handed out on “Country Music’s Biggest Night™.” CMA industry voters also gave their support to Country Music Hall of Fame members Vince Gill, Dolly Parton, Kenny Rogers, andGeorge Strait, the reigning CMA Entertainer of the Year.
“This is a great slate of nominees with established superstars, industry icons, and breakthrough acts all represented,” said CMA Chief Executive Officer Sarah Trahern. “The 2014 CMA Awards are destined to be the best yet.”
I’m so honored to be nominated for CMA Country Music Association Musical Event of the Year with one of my absolute best friends, Kenny Rogers! It really is true that “You Can’t Make Old Friends”…

“The 48th Annual CMA Awards” will be hosted for the seventh time by Brad Paisley andCarrie Underwood and broadcast live from the Bridgestone Arena in Nashville, Wednesday, Nov. 5 (8:00-11:00 PM/ET) on the ABC Television Network.
For the ninth year, the announcement of the final nominees in five of the 12 CMA Awards categories was made live on ABC News’ “Good Morning America” with Little Big Town and Darius Rucker delivering the news from the heart of New York City’s Times Square. They then went to the Best Buy Theater to announce the finalists in the remaining seven categories during a press conference that was made available across the world via live stream at CMAawards.com.
“It is great for the industry to be able to announce our nominees for Country Music’s top honors on the world’s biggest stage and still be able to share it with the industry in Nashville and fans around the world,” added Trahern.
Lambert’s nominations include Entertainer (she received her first nomination in this category in 2010); Female Vocalist; Album for Platinum, which was produced by Frank LiddellChuck Ainlay, and Glenn Worf; two nominations for Musical Event for “Somethin’ Bad” with  Underwood and “We Were Us” with Urban; and two nominations for Music Video of the Year for “Automatic” and “Somethin’ Bad” with Underwood, which were both directed by Trey Fanjoy. In addition, “Automatic” picked up nominations for Single (produced by Liddell, Ainlay, and Worf) and Song of the Year for songwriters Nicolle GalyonNatalie Hemby, and Lambert. This brings Lambert’s career CMA Awards nominations to 34. Reba holds the record for female artist nominations with 49, followed by Parton (44), and Loretta Lynn (39), which places Lambert fourth on the list.
Bentley collected five nominations including Male Vocalist; Album for Riser, which was produced by Ross CoppermanJaren Johnston, and Arturo Buenahora, Jr.; Song for “I Hold On” which Bentley wrote with Brett James; and Single and Music Video of the Year for “Drunk On A Plane,” which was produced by Copperman, Johnston, and Buenahora, and directed by Wes Edwards.
Church doubled his 2013 nominations in 2014 with four including Male Vocalist; Album forThe Outsiders, produced by Jay Joyce and Buenahora; Single for “Give Me Back My Hometown” produced by Joyce and Buenahora; and Song of the Year for “Give Me Back My Hometown,” which Church wrote with Luke Laird.
Urban also collected four nominations including Entertainer of the Year, which he won in 2005; Male Vocalist, which he has won three times (2004-2006); Album for Fuse, which was produced by Benny Blanco, Nathan Chapman, Copperman, Zach Crowell, Mike Elizondo, Dann Huff, Joyce, Stargate, Butch Walker, and Urban (Urban only receives one nomination for the category, but can receive a second trophy as producer); and Musical Event with Lambert for “We Were Us.”
Bryan, who received his first Entertainer of the Year nomination in 2013, is back in the top category in 2014. He also collected nominations for Male Vocalist and Album of the Year for Crash My Party, which was produced by Jeff Stevens.
Musgraves, who won New Artist of the Year in 2013, came back with three nominations this year including Female Vocalist; Song for “Follow Your Arrow,” which she wrote withBrandy Clark and Shane McAnally; and Music Video of the Year for “Follow Your Arrow,” which Musgraves directed with Honey (Musgraves only receives one nomination in the category, but can receive a second trophy as video director).
Shelton, who is the reigning CMA Male Vocalist of the Year, was nominated three times including Entertainer; Male Vocalist; and Single of the Year for “Mine Would Be You,” which was produced by Scott Hendricks.
CMA Awards co-host Underwood will be busy during the three-hour broadcast on ABC. She has three nominations including Female Vocalist; and Music Video and Musical Event of the Year with Lambert for “Somethin’ Bad.”
Tim McGraw and Faith Hill collected two nominations each for “Meanwhile Back At Mama’s,” which was nominated for Musical Event and Single of the Year, and was produced by Byron Gallimore and McGraw (McGraw only receives one nomination in the category, but can receive a second trophy as producer).
Reigning CMA Entertainer of the Year Strait enters the coveted field again in 2014 and retains his status as the most nominated artist in CMA Awards history with 83. Strait has a total of 19 nominations and three trophies for Entertainer of the Year (1989, 1990, 2013).
Strait, who was inducted into the Country Music Hall of Fame in 2006, joins several other members of this prestigious group on the list of nominees in 2014.
Gill, who hosted the CMA Awards a record 12 times and was inducted into the Hall of Fame in 2007, was nominated for Musical Event of the Year with Paul Franklin for Bakersfield.
Rogers, who received the Willie Nelson Lifetime Achievement Award and was inducted into the Hall in 2013, was nominated for his duet with Parton (1999 Hall of Fame inductee) for “You Can’t Make Old Friends.” Parton won her last CMA Award in this category in 2006 for “When I Get Where I’m Going” with Paisley. Rogers and Parton received their last nomination together in 1986 for Vocal Duo of the Year.
Lee Brice’s hit “I Drive Your Truck” won Song of the Year in 2013 for the songwriters. This year, Brice is collecting a songwriter nomination of his own for “I Don’t Dance” with songwriters Rob Hatch and Dallas Davidson.
The Female Vocalist of the Year category is an interesting one to watch in 2014 with several records on the line. In addition to Lambert, Musgraves, and Underwood, Martina McBride and Taylor Swift are nominated. Three women have won this Award four times including Lambert (2010-2013), McBride (1999, 2002-2004), and Reba (1984-1987). With a win, Lambert or McBride could set a new record; if Underwood wins, there would be a four-way tie in the category for most wins to date. Swift last won the Female Vocalist trophy in 2009.
Two-time CMA Vocal Group of the Year Little Big Town (2012, 2013) has been nominated in the category every year since 2006 and this year they are joined by Eli Young Band;Lady Antebellum, who have won three times (2009-2011); The Band Perry; and Zac Brown Band.
Lady Antebellum has a second nomination for Music Video of the Year for “Bartender” directed by Shane Drake.
Two first-time nominees enter the category for the Vocal Duo of the Year – Dan + Shayand The Swon Brothers. They join reigning CMA Vocal Duo winners Florida Georgia Line; Love and Theft, who have been nominated three times in the category; andThompson Square, who won the trophy in 2012.
Three acts debut in the New Artist of the Year category in 2014 including Clark (who was also nominated for Song of the Year), Thomas Rhett, and Cole Swindell. Returning to the category a second time are Brett Eldredge and Kip Moore. Artists can only be included in this category twice.
The Musician of the Year category includes Sam Bush (mandolin); Jerry Douglas(dobro); Franklin (steel guitar), who was also nominated for Musical Event of the Year; Huff (guitar), who was also nominated for Album of the Year (producer); and Mac McAnally(guitar), the current title holder.
Winners of “The 48th Annual CMA Awards” will be determined in a final round of voting by eligible voting members of the Country Music Association. CMA Awards balloting is officiated by the international accounting firm of Deloitte & Touche LLP. The third and final ballot will be emailed to CMA members Thursday, Oct. 9. Voting for the CMA Awards final ballot ends Monday, Oct. 27 (5:00 PM/CT).
Tickets for “The 48th Annual CMA Awards” go on sale to the public Saturday, Sept. 6 (10:00 AM/CT). Tickets can be purchased at ticketmaster.com; by calling (800) 745-3000; or in person at the Bridgestone Arena Box Office, located at 501 Broadway (corner of Fifth Avenue and Broadway, Nashville). CMA Awards information is available atCMAawards.com. Or follow the conversation on Twitter at #CMAawards.
A video highlights package including footage of the nominee announcements, interviews, music video clips, and more will be serviced today, Sept. 3 (3:00-3:30 PM/ET; 2:00-2:30 PM/CT).
The video highlights  package will be available via satellite at GALAXY 17 (KU) Digital, Transponder 13 – Ch A, 9 MHz, Downlink Frequency: 11946.5 (H), FEC:  ¾, Symbol Rate: 6.1113. In addition, the video highlights package will be available via FTP download atVistaWorldLink.com/CMA/.
If you have difficulty picking up the video highlights package or have questions about the feed, please contact Scott Sklarin with Sklarin Communications at (917) 929-5564. For questions regarding the FTP download, please call (954) 838-0900, ext. 1.
“The 47th Annual CMA Awards” on ABC (Nov. 6, 2013) dominated the night in Total Viewers and Adults 18-49 (16.8 million and 4.7/13), winning each half-hour and out delivering runner-up CBS by 7.4 million viewers and by 114 percent in Adults 18-49. In fact, with the broad-appealing Awards special the Network swept the evening, finishing No. 1 in Viewers, all key Adult demos (AD18-34/AD18-49/AD25-54) and Teens 12-17 – and was the top broadcaster with Kids 2-11.
The 2013 CMA Awards was up by double digits from the previous year’s telecast (Nov. 1, 2012), gaining 23 percent in Total Viewers and 24 percent in Adults 18-49. The CMA Awards drew its biggest audience in four years, representing its second-most-watched broadcast in eight years (since 2009 and 2005, respectively). In addition, the CMA Awards shot up 41 percent year-to-year with Men 18-34 (3.1/11 vs. 2.2/8) to a nine-year high – since 2004.
The first “CMA Awards Banquet and Show” was held in 1967. The following year, the CMA Awards was broadcast on television for the first time – making it the longest running, annual music awards program on network TV. The CMA Awards have aired on ABC since 2006. ABC will be the network home of the CMA Awards and CMA’s other two television properties, “CMA Music Festival: Country’s Night to Rock” and “CMA Country Christmas,” through 2021.
“The 48th Annual CMA Awards” is a production of the Country Music Association. Robert Deaton is the Executive Producer and Paul Miller is the Director. The CMA Awards will be shot in high definition and broadcast in 720 Progressive (720P), ABC’s selected HDTV format, with 5.1 channel surround sound.
The Final Nominees for “The 48th Annual CMA Awards” (by ballot category order):
ENTERTAINER OF THE YEAR
Luke Bryan
Miranda Lambert
Blake Shelton
George Strait
Keith Urban
SINGLE OF THE YEAR
(Award goes to Artist and Producer(s))
“Automatic”
Miranda Lambert
Produced by Frank Liddell, Chuck Ainlay, and Glenn Worf
RCA Nashville
“Drunk On A Plane”
Dierks Bentley
Produced by Ross Copperman and Arturo Buenahora, Jr.
Capitol Records Nashville
“Give Me Back My Hometown”
Eric Church
Produced by Jay Joyce and Arturo Buenahora, Jr.
EMI Records Nashville
“Meanwhile Back At Mama’s”
Tim McGraw featuring Faith Hill
Produced by Byron Gallimore and Tim McGraw
Big Machine
“Mine Would Be You”
Blake Shelton
Produced by Scott Hendricks
Warner Bros./Warner Music Nashville
ALBUM OF THE YEAR
(Award goes to Artist and Producer(s))
Crash My Party
Luke Bryan
Produced by Jeff Stevens
Capitol Records Nashville
Fuse
Keith Urban
Produced by Benny Blanco, Nathan Chapman, Ross Copperman, Zach Crowell, Mike Elizondo, Dann Huff, Jay Joyce, Stargate, Keith Urban, and Butch Walker
Capitol Records Nashville
Platinum
Miranda Lambert
Produced by Frank Liddell, Chuck Ainlay, and Glenn Worf
RCA Nashville
Riser
Dierks Bentley
Produced by Ross Copperman, Jaren Johnston, and Arturo Buenahora, Jr.
Capitol Records Nashville
The Outsiders
Eric Church
Produced by Jay Joyce and Arturo Buenahora, Jr.
EMI Records Nashville
SONG OF THE YEAR
(Award goes to Songwriter(s))
“Automatic”
Nicolle Galyon, Natalie Hemby, and Miranda Lambert
“Follow Your Arrow”
Kacey Musgraves, Brandy Clark, and Shane McAnally
“Give Me Back My Hometown”
Eric Church and Luke Laird
“I Don’t Dance”
Lee Brice, Rob Hatch, and Dallas Davidson
“I Hold On”
Brett James and Dierks Bentley
FEMALE VOCALIST OF THE YEAR
Miranda Lambert
Martina McBride
Kacey Musgraves
Taylor Swift
Carrie Underwood
MALE VOCALIST OF THE YEAR
Dierks Bentley
Luke Bryan
Eric Church
Blake Shelton
Keith Urban
VOCAL GROUP OF THE YEAR
Eli Young Band
Lady Antebellum
Little Big Town
The Band Perry
Zac Brown Band
VOCAL DUO OF THE YEAR
Dan + Shay
Florida Georgia Line
Love and Theft
The Swon Brothers
Thompson Square
MUSICAL EVENT OF THE YEAR
(Award goes to each artist)
Bakersfield
Vince Gill and Paul Franklin
Mercury Nashville
“Meanwhile Back At Mama’s”
Tim McGraw featuring Faith Hill
Big Machine
“Somethin’ Bad”
Miranda Lambert duet with Carrie Underwood
RCA Nashville
“We Were Us”
Keith Urban featuring Miranda Lambert
Capitol Records Nashville
“You Can’t Make Old Friends”
Kenny Rogers duet with Dolly Parton
Warner Bros./Warner Music Nashville
MUSICIAN OF THE YEAR
Sam Bush (Mandolin)
Jerry Douglas (Dobro)
Paul Franklin (Steel Guitar)
Dann Huff (Guitar)
Mac McAnally (Guitar)
MUSIC VIDEO OF THE YEAR
“Automatic”
Miranda Lambert
Directed by Trey Fanjoy
“Bartender”
Lady Antebellum
Directed by Shane Drake
“Drunk On A Plane”
Dierks Bentley
Directed by Wes Edwards
“Follow Your Arrow”
Kacey Musgraves
Directed by Kacey Musgraves and Honey
“Somethin’ Bad”
Miranda Lambert duet with Carrie Underwood
Directed by Trey Fanjoy
NEW ARTIST OF THE YEAR
Brandy Clark
Brett Eldredge
Kip Moore
Thomas Rhett
Cole Swindell



 Chevrolet™ is the Official Ride of Country Music.

FLOTUS pushes for healthier meal options in satirical video

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First Lady Michelle Obama’s push for healthier meal options in schools earned her a cameo appearance on the comedy website “Funny or Die.”



In the online faux trailer “Snackpocalypse,” high school students become junk food zombies after the school president runs an initiative to allow junk food and sodas in the vending machines. Actress Chloe Grace Moretz plays the role of the heroine and takes on the task of saving the students because she is “different” because she would rather eat healthy foods like apples and carrots.

After Moretz is able to rescue the apple from the last healthy vending machine, the clip cuts to Mrs. Obama watching the trailer and eating a carrot.
“Don’t you hate when trailers give away the whole movie?” Mrs. Obama says as she takes a bite of the carrot. “Can’t we just watch Frozen again?”

The first lady’s support for healthy living doesn’t stop with just promoting healthier eating options. On Wednesday, Mrs. Obama applauded and praised CVS for becoming the first national pharmacy chain to ban the sale of tobacco products. 

ATLANTA, GA- Bill Clinton, Usher and now add this big name to the list....

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First Lady Michelle Obama will spend Monday in Atlanta ...
to help the campaign of Democratic U.S. Senate hopeful Michelle Nunn and promote her education initiatives. 
First Lady Michelle Obama will join U.S. Secretary of Education Arne Duncan in launching the fifth annual back-to-school bus tour Monday in Atlanta. This year’s “Partners in Progress” trip will include stops in Georgia, Alabama and Tennessee, highlighting the states' commitment to encourage reform and innovation and help all students achieve success.
 
Duncan’s day will begin at 9:30 a.m. ET with an event at Spelman College where he will host a roundtable with students to spotlight the importance of teacher recruitment. Teachers are needed at all K-12 levels, especially in the fields of science, technology, engineering and math (STEM). A press availability will follow at 10:50 a.m. ET.
 
At 1:25 p.m. ET, Mrs. Obama will meet Secretary Duncan at Booker T. Washington High School – which opened in 1924 as the first public high school for African-Americans in Georgia that includes Dr. Martin L. King Jr. among its graduates. The First Lady will begin her visit to the school with a short tour of a college fair that will be set up for students. The tour will be covered by a pre-determined press pool.
 
Mrs. Obama and Secretary Duncan will then deliver remarks at a “Prep Rally” in the high school’s gymnasium as  part of the First Lady’s Reach Higher initiative, which aims to increase college access and opportunity for all students. Reach Higher focuses on the importance of pursuing and completing some form of higher education and encourages students to do their part to answer the President’s call to ensure that by the year 2020, America once again has the highest proportion of college graduates in the world. A press availability with Secretary Duncan only will follow at 2:35 p.m. ET.  The Prep Rally will be open press. 
FLOTUS jumps back into the political fray on Sept. 8, headlining an event in Atlanta raising funds for Nunn in her race against Republican David Perdue, the former chief executive officer of Dollar General Corp. The two are vying for the seat that Republican Saxby Chambliss is giving up, with the latest polls giving Nunn a slight lead.
In the afternoon, Mrs. Obama will attend a closed-press fundraiser for the Nunn campaign and the Democratic Senatorial Campaign Committee. Then she will speak at a public “Voter Registration Rally.
A Nunn win would hinder the Republican push for the net gain of six seats the party needs to control the Senate. 
On Sept. 13, 2014, . Former President Bill Clinton headed to the house of Usher for a fundraiser for the Democratic US Senate hopeful. Clinton will join the recording artist at his Atlanta-area home to raise money for the Democratic Senate candidate, one of Democrats' top Senate recruits for the midterm election cycle. 

Clinton worked with Sam Nunn, when he served in the Senate during Clinton's presidency. The relationship has had its rough patches: In 1998, Sam Nunn called on Clinton to resign during the Monica Lewinsky scandal, and in 2008 Sam Nunn endorsed Barack Obama over Hillary Clinton for president.
President Barack Obama, weighed down by multiple world crises, won’t be accompanying his wife on the trip to Georgia. He was defeated in the peach state in each of his presidential races, losing it 9 percentage points as he won re-election in 2012.
The first lady’s appearance for Nunn, which also will benefit the Democratic Senate Campaign Committee, is closed to the press.
Afterward, she’ll speak at a nearby voter registration rally that’s open to the public.  The First Lady's appearance will certainly give Nunn's campaign a big boost. Her father, former Senator Sam Nunn (D. GA), is hitting the campaign trail with her. 
Republicans are seeking to mention President Barack Obama alongside Nunn every chance they get, but his wife remains more popular — and less of a lightning rod.

Nunn sent along the following statement on the First Lady’s visit:
“As CEO of President George H.W. Bush’s Points of Light Foundation, I saw firsthand how the First Lady has been a leader in increasing civic participation and fostering support for volunteerism. I am excited to have her join us in Georgia next week as we work to get more people engaged in our democracy.”  

Following are details of Secretary Duncan’s Monday activities.
 
EVENT ONE 
WHO:   
U.S. Secretary of Education Arne Duncan
 
WHAT:  
Roundtable discussion with students on teacher recruitment
       
WHERE: 
Spelman College, 420 Westview Dr. S.W., Atlanta
 
WHEN:  
Monday, Sept. 8, 2014
9:30 a.m. ET – Roundtable discussion
10:50 a.m. ET – Press availability
 
EVENT TWO
WHO:   
First Lady Michelle Obama
U.S. Secretary of Education Arne Duncan
 
WHAT:  
“Prep Rally” in the school’s gymnasium, focusing on the importance of completing school and pursuing higher education
Note: reporters wishing to cover this event must RSVP to Kimberly Willis Green atkwgreen@atlanta.k12.ga.us by 2 p.m. ET Friday.
       
WHERE: 
Booker T. Washington High School, 45 Whitehouse Dr. S.W., Atlanta
 
WHEN:  
Monday, Sept. 8, 2014
1:25 p.m. ET – “Prep Rally”
2:35 p.m. ET – Press availability with Secretary Duncan only
 
EVENT THREE
WHO:   
U.S. Secretary of Education Arne Duncan
 
WHAT:  
Observation of work-based learning and roundtable with current and former students involved with the Southwire Company’s 12 for Life program
       
WHERE: 
Southwire Company, 390 Old Bremen Rd., Carrollton, Georgia
 
WHEN:  
Monday, Sept. 8, 2014
5 p.m. ET – Southwire activities begin
6:20 p.m. ET – Press availability
 
# # #

Channel 2 announces premiere of The Dr. Oz Show

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ATLANTA — 
The Dr. Oz show joins the Channel 2 WSB-TV daytime lineup starting Monday, September 8that 3 p.m. 
The show’s sixth season kicks off with a catchy new theme, “Dr. Oz is bringing healthy back.”  The doctor brings his medical expertise to the Channel 2 audience in an effort to help viewers reclaim their health and transform their lives.  Dr. Oz traveled the country to find the best new ways to motivate his viewers in this new season.
















“We’re proud to welcome Dr. Oz to the WSB-TV family,” said Tim McVay, Vice President and General Manager of Channel 2 WSB-TV.  “Dr. Oz brings a wealth of information that we hope will inspire our viewers for years to come.”
WHAT:  The Dr. Oz Show Premieres on Channel 2 WSB-TV
WHO:   Dr. Mehmet Oz  
WHEN:  Monday, September 8th, 2014 at 3 p.m.
WHERE:  Channel 2 WSB-TV

www.doctoroz.com/

The Education of Oprah: How She Saved Her South African School

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The Education of Oprah: How She Saved Her South African School


At the front entrance of Oprah Winfrey’s school, flanked by blue gum trees and veld grass, the South African flag sits at half-mast. Four days earlier police opened fire on striking workers at a platinum mine two hours north, killing 34. At daily assembly in the campus’ plush auditorium, 296 girls in grass-green blazers and pleated skirts bow their heads, some muttering prayers.
Grieving is a practiced skill for pupils of the Oprah Winfrey Leadership Academy for Girls (OWLAG). The school’s student body collectively endures, on average, the death of one primary caregiver a week, and they formally mourn together every Monday. “This is the real South Africa,” says Anne van Zyl, the school’s fourth head of academy in five years. “They’ve seen AIDS. They’ve seen violence.”
See exclusive photos of Winfrey’s South African school
Eighteen-year-old Mashadi is typical: Her father died four years ago, leaving her mother as the sole breadwinner. But as her former classmates remember the miners, she’s preparing for a new ritual. That same week in August, Mashadi and Winfrey hit Bed, Bath & Beyond in Boston picking out twin sheet sets and other necessities for Mashadi’s dorm room at Wellesley College with the six other girls from the first graduating class at OWLAG (“oh-lag”, as students call it) starting at a U.S. college this fall.
Mashadi comes from Alexandra, a poor, dangerous township of corrugated iron shacks on Johannesburg’s northern outskirts. At home she shares a single bed with her mother, a domestic worker for a white family. She didn’t consider college until the 11th grade. “I wondered, who do I leave my mom with?” she says. Adds Winfrey: “There isn’t a toilet in her house, there isn’t water in the house. And she’ll be at Wellesley.”
Following the sheet-shopping, the woman who students all call “Mom-Oprah” drags the freshman posse to a Target. As starstruck back-to-school shoppers gawk and the seven girls fill their baskets with notebooks, cutlery and other supplies, Winfrey has to unexpectedly compose herself.
The 58-year-old media billionaire held it together at her school’s first graduation in January, when 72 girls in neat white dresses filed out of the auditorium into the midsummer sunshine, every single one headed to university in a country where only 14% of the black population graduates from high school. But picking out dorm towels, the kind of rite that an upper-middle-class American takes for granted, drove home the magnitude of their journey. “I just realized: Oh, Jesus, this actually happened,” Winfrey tells Forbes days later, back at the 42-acre coastal estate near Santa Barbara, Calif. where she’s lived full-time since wrapping her Chicago talk show in May last year.
While she won’t say it explicitly, the emotion surely also stems from relief–and a feeling of redemption. Soon after it opened five years ago, Winfrey’s school was the subject of a sex abuse scandal that reached international scope, owing to its founder’s fame, with a dose of schadenfreude from those weary of a woman who five times a week for 25 years had effortlessly turned no-names into bestselling authors, shrinks into gurus and audience members into shrieking new car owners.
Winfrey responded by shuttering outside access to the school. But while headlines receded she didn’t give up on her philanthropic goal: not just to educate her girls but also to change the trajectory of their lives. On Labor Day weekend Winfrey found validation in the unlikely form of nerve-wracked text messages from her valedictorian. Eighteen-year-old Bongeka was worried she wasn’t good enough, that she’d fail. Winfrey reminded her that at home, she’d washed her clothes on her hands and knees in a river. Now she was in Atlanta, at Spelman College. She’d already won.
With the specter of the sex scandal fading and her second group of seniors sending out college applications, Winfrey is opening the school back up to the outside world. She invited Forbes to South Africa, giving us exclusive access to the school. The story found there is one of good intentions gone awry, persistence — and vindication.

Winfrey’s school began as a rather outlandish promise.
In 2000 Winfrey and longtime boyfriend Stedman Graham were vacationing at the home of Nelson Mandela on the country’s Western Cape. For ten days Winfrey and the former South African president swapped stories, exchanged ideas and passed newspaper sections back and forth. When the topic turned to poverty, Winfrey spoke up. It’s a subject she knows something about.
Growing up in Kosciusko, Miss., Winfrey’s childhood wasn’t far removed from the average South African. She lived on a farm without indoor plumbing and watched her grandmother, who largely raised her, hand-wash her clothes. At 9 she was raped by a cousin; at 14 she gave birth to a son, who died after childbirth. Her way out came in the form of a federal program that gained her access to a rich suburban school, where she was one of only a handful of African-Americans. Each day she bounced between a home of poverty and a classroom of possibilities. Here she discovered a knack for public speaking and debate, which earned her a part-time radio gig and, later, a scholarship to Tennessee State University.
When she started making real money–millions, then billions, from her eponymous talk show and subsequent media empire–she vowed to pay for other poor black kids to go to college. And she has: To date she’s shelled out around $400 million toward educational causes, including more than 400 scholarships to Atlanta’s Morehouse College. Sitting on the floor at Mandela’s house, in thrall to her hero and saddened as he described the state of schooling in his country, she vowed to take her giving a step further.
Winfrey pledged $10 million toward a South African school then and there. “When you go to Nelson Mandela’s house, what do you take?” she says. “You can’t bring a candle.” Ten years ago this December she broke ground in Henley-on-Klip, until then an unremarkable cluster of ranch-style homes 40 miles south of Johannesburg. When Winfrey and her team started recruiting in 2006, she was adamant that she’d accept only the brightest but most disadvantaged kids: those at the top of their public school class but from households with an income of less than $950 a month.
By the time Mashadi, Bongeka and the 150 other members of the first two classes arrived in 2007, that $10 million had grown to $40 million, as Winfrey turned 52 acres of scrubland into a campus closer to Ivy League standards than even the plush suburban school she had attended. “It started out as an emotional giveback,” says Winfrey. “It has developed into a way of life for me. What it really is, is an investment in leadership and an investment in the future of a country. That’s how I now see it. I don’t look at it as, ‘Oh, gee, my little school.’”
Touring the school, it’s not difficult to see how the costs spiraled. A brand-new swimming pool adjoins a workout room where the “learners,” as they’re called here, take spinning classes on stationary bikes. The administrative building could double as a gallery of South African art, and the auditorium feels like a Broadway theater. As with all aspects of her work, Winfrey is a perfectionist. When the school officially opened in January 2007, groundskeepers sprayed the dry, yellow grass with green dye in preparation for the arrival of dignitaries like Mandela and celebrity friends like Diane Sawyer and Spike Lee. “It stained your shoes,” laughs Sam Blake, director of operations at the school and Winfrey’s eyes and ears on the ground. The image of that veneer would quickly come back to bite.
The school wasn’t exactly popular in Henley-on-Klip. Blake fielded noise complaints from neighbors who claimed the sound of tennis balls bouncing on the school’s courts was disturbing them. “I got phone calls saying, ‘I hope all your trees die,’” Blake says. “There are people who didn’t want us here, 150 black girls in an all-white area.” Townspeople idled in their cars, hoping to get a glimpse of Winfrey’s chosen few. “They watched the girls play soccer and netball,” Blake says. “We put up fences. Oprah had us put hedges up, too.”
The venture was also greeted with uncertainty by some American media outlets. Why was Winfrey spending $40 million on one school when she could build a bunch for that price? Why were the girls sleeping on 200-thread-count sheets? Why were there chandeliers hanging from the library ceiling and brightly colored mosaic tile pillars outside the cafeteria? Blake grimaces when he’s reminded of those early articles.
“When you walk into a beautiful place, you think better of yourself,” he explains simply. Walking the perimeter of the campus, he describes the first batch of blueprints from local school authorities, who’d leased Winfrey the land. She wasn’t pleased. “She said it looked like a chicken coop,” Blake laughs. Winfrey severed ties with the state and decided to go it alone, hiring the architects behind Johannesburg’s famous Apartheid Museum. She donned jeans and a hard hat and oversaw every aspect of construction. She thought of the little things: the tubs of umbrellas outside each building for use during South Africa’s rainy season, when it pours almost nonstop for 40 days. They’re green, her favorite color, to match the girls’ uniforms.
At the school’s first convocation Winfrey took the stage to address the girls and their relatives, bused in from across South Africa. “For many years people always asked me why didn’t I have children,” she told the crowd. “Now I know.”
In October 2007 Winfrey’s philanthropic dream turned toxic with one phone call. Winfrey learned that a group of girls had come forward alleging that a 27-year-old dorm parent had been molesting them. “The security guard would see the dorm parent going in and out,” says Winfrey, shaking her head, “and say, ‘Yeah, I asked her what she was doing; she said she was helping her with her homework.’ At five in the morning?!”
Winfrey jumped on a plane, wracked with guilt and worry. “By the time a girl gets to my school, normally she’s suffered on average six major life traumas,” Winfrey says. “They’ve lost a parent or both parents. Multiple accidents, death in your family, AIDS, rape, sexual molestation, all of it. Unimaginable things have happened.” Every year a handful of incoming students are diagnosed by the school’s on-campus team of psychologists and social workers as having post-traumatic stress disorder simply from living their everyday lives. Now it appeared to be happening on her watch.
The situation on the ground grew still worse, amplifying the subtle media criticisms that predated the scandal. In the ensuing months and years, seven girls were suspended for “inappropriate behavior” that included sexually harassing classmates, and the body of a dead baby boy was found in a 17-year-old student’s schoolbag. “The fact that this place did not implode is a miracle,” says English teacher Clare McIntyre of the early years. Some of the girls feared Winfrey would grow frustrated and abandon the school. “She could have closed it and sent us away elsewhere,” says Bongeka.
The sad irony is that Winfrey had set up an unprecedented safety barrier in a country where more than a third of young women are sexually abused, with barbed wire fences, a high-tech entry system and all-female security. “We thought our risks were all men-related, so my goal was to keep the men out,” she says. It turned out her crisis was completely internal.
Part of the underlying problem stemmed, in retrospect, from an oversensitivity to local culture. “The thing that held me up for a long time was people would say, ‘That’s not the African way,’ or ‘That’s not culturally appropriate,’” she says. “I’d say, ‘Well, you know, I would think that people should show up on time and be dressed appropriately.’ I was trying to balance what I felt was the right thing versus not interfering with whatever was the cultural norm.”
Communication was an issue: The 152 12- and 13-year-old girls, hand-picked by Winfrey herself from an application pool of 3,500, came from all nine South African provinces, speaking all 11 of the country’s official mother tongues. Bongeka came in speaking 7 of them, with English her weakest.
Winfrey quickly fired the alleged child abuser–who was later acquitted in a South African court–plus every other residential staffer and the school’s head. “She wanted to clean house and start again,” says Sibusisiwe Thembela, the school’s librarian, who took over during what Winfrey calls “the crisis.” To add insult to injury, the former head sued Winfrey for defamation in 2008 for implying she was, per legal filings: “untrustworthy, failed the students of the academy, did not care about the students at the academy, knew of alleged physical and sexual abuse at the academy and participated in a cover-up of the alleged abuse.” The case was resolved only in 2010, when they settled for an undisclosed amount.
The press, of course, moved on to other stories, having pierced Winfrey’s invincible image. Many people forgot the school existed or assumed it had quietly closed down.
A little-known statistic even the most altruistic don’t realize until they wade into heavy-duty giving: The majority of philanthropic initiatives don’t work; 75% close up shop in their first year. Even so, there’s merit in the effort: As in business, failures lead to insights and breakthroughs. But Winfrey, rather than chalk up her school as a costly life lesson, quietly redoubled her efforts to make it work.
That rebirth started in earnest in 2010 with the hiring of van Zyl, tall and no-nonsense, the descendant of an Anglican minister who immigrated to Malawi. Van Zyl had the pedigree and the guts: She led the integration of Pretoria High School for Girls, the first all-white school in the region to accept black students as the veil of apartheid lifted.
Supporting van Zyl is Winfrey’s trusted confidante, Blake, a bald, bespectacled Texan who spent 27 years in the Air Force before becoming Winfrey’s pilot. He spent 15 years with Harpo Productions during Winfrey’s talk show heyday, shuttling her across the country in a Gulfstream 4. After vertigo rendered him unable to fly a plane, Winfrey found another role for him, first with her charitable Angel Network rebuilding homes in post-Katrina New Orleans, then in South Africa, where he oversees day-to-day operations. “Uncle Sam,” as the girls call him, promised Winfrey two years at the school. He’s been there six.
Winfrey considers building the school without community buy-in another one of her early mistakes (“I could write a book, ’101 Mistakes,’”  she says). Today the girls volunteer at a children’s home in nearby Meyerton. Local kids are invited to use the school’s top-notch dance studio in off-peak hours. Winfrey has also built two public schools at a cost of just over $3 million each as a model for the South African government to show what is possible for well under a $40 million price tag. When the school day ends at one of those pilot schools, the campus hosts adult education classes.
“When I arrived in 2010, the school had turned inward,” says van Zyl, citing the ongoing defamation suit against Winfrey as a reason for its insularity. “I wanted it to be open to the world and to let the girls out.” She also dictated that her faculty–the vast majority of whom are South Africans, of all races–not allow the girls’ often tragic upbringings to cloud their mission.
“This is something you’ll find the world over when people are dealing with children from disadvantaged backgrounds: Anything is good enough,” she says. “Oprah stands for… I mean, the brand is compassion, excellence, all those other things. She takes no prisoners. If I write an e-mail to Oprah, I’ll get someone to check I haven’t made a typo or something. Her expectation of everybody who works for her is absolutely professional and excellent. Nothing short of perfection is good enough.”
For new students, achieving their benefactor’s expectations–she tells them all she expects them to go to college and will in fact pay for it–starts by drumming out the cultural assumption that women don’t have to study since they’ll just get married and have kids anyway. “We drill, actually,” says Mampho Langa, the school’s head of academics and a popular math teacher. “That you can, you have, you do. Their role model being Ms. Winfrey makes a huge difference. They’ve noticed a woman can do it.” From there the girls work around the clock, buoyed by their opportunity and the chance to learn. “They go home and bury Dad, bury a brother who burned to death,” she says. “And they come to me on Monday and say, ‘Can I take your test?’ It has changed completely for me the meaning of excellence. I don’t know how they do it. They’ll make you cry.”
Winfrey’s expenditures have shot past $105 million as she shoulders college tuitions for the first time. But she’s now seeing the return on her investment.
In July the school’s “magnificent seven” U.S.-bound girls spent two weeks on the Boston College campus. Winfrey organized an assimilation program for them. None of them had left South Africa before touring 15 universities in 12 days in 2010 (they took time out to meet one of Winfrey’s good friends, President Barack Obama, at the White House).
An English professor took the seven teenagers through what he called cultural texts: an issue of the New Yorker , a Brooks Brothers catalog, a vegan cookbook. Thando, a movie-star beautiful 19-year-old in a short skirt and long braids, winced at the idea that Americans would eat nondairy ice cream. Bongeka scrunched up her cherubic face as she flipped through the clothing catalog, noting aloud that only one of the Brooks Brothers models was black.
Their classmate Mpumi wasn’t as talkative. She hadn’t been well recently, having overcome a bout of strep throat. Between lunch and the afternoon’s race-relations class, she said she’d been cheered by a call from Winfrey, asking if she’d recovered. “There are not too many people who I have to call,” says Mpumi, tears gathering .
To help more Mpumis, Winfrey is reaching out to corporations and wealthy individuals in South Africa, hoping to boost the school’s endowment. Her fellow billionaires are pitching in, too: Michael Dell donated laptops, Spanx inventor Sara Blakely cut a $1 million check and Amazon’s Jeff Bezos gave each girl a Kindle. Winfrey, meanwhile, is mulling her next big move: a school in the U.S., possibly in her home state of Mississippi.
“Being able to see in human form those girls blossom into who you knew they could be, there’s really nothing like that for me,” she says. “You can see over and over again the possibility of your own self being lived out in somebody else’s life.” Winfrey begins this next chapter armed with five years of tough lessons and the knowledge that, as she puts it, “If you can do it in South Africa, you can do it anywhere.”

This story appears in the October 8th issue of Forbes.

An unstoppable comic force to the end

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 Just as we long suspected, the only thing that could stop Joan Rivers was death.

Abrasive, raunchy, self-immolating and often unapologetically offensive, Rivers changed comedy, courted controversy, survived catastrophe and refused to give up or give in, even when either of those might have seemed the best option.

Known best for her grating, New York-afflicted tones, penchant for plastic surgery and willingness to tell anyone that they looked terrible, Rivers created a kind of in-your-face, self-deprecation that both exploited the tendency toward self-hatred in comedy, particularly women's comedy, and satirized it.

If as she grew older Rivers developed a reputation for being more mean than funny — in recent months, she was criticized for, among other things, her remarks regarding Adele's weight, Palestinians and the Holocaust — she remained true to the brassy image and take-no-prisoners attitude that allowed her to rise during a time when the term "female comedian" was almost an oxymoron.

Rivers famously wrote for Ed Sullivan and then Phyllis Diller, appeared on "The Tonight Show" when it was still hosted by Jack Paar, then became one of Johnny Carson's guest hosts. Of the few remaining glittering links to television's last golden age, she is the only one who managed to navigate the many changes in between. Talk shows, reality television, Twitter, webisodes, red carpet commentary — no job was too big or too small.

While the few remaining comedians of her generation retired, emerging only for special events, Rivers never stopped touring or taking chances. In addition to her own shows, she was a regular guest on talk shows, appeared as a contestant on "Celebrity Apprentice" (she won), guest-starred on "Louie" (she killed) and was the subject of the documentary "Joan Rivers: A Piece of Work," in which, in one segment, the then 75-year-old performed back-to-back shows in Toronto, Palm Springs and Minneapolis.

At the time of her death Rivers had a show on E! ("Fashion Police"), one on WeTV ("Joan and Melissa: Joan Knows Best?"), a third on the Web ("In Bed With Joan"), a recent bestselling memoir ("Diary of a Mad Diva") and a fall tour slated for Britain.

The woman was 81. With a fall tour slated for Britain.

And if the many plastic surgeries and insistently platinum hair made her look at times like a fright, well (insert profanity here) you.

For latter-day boomers who remember the early work, Rivers was like the drunk mom at the party, the one who told the truth and scandalized the room. Back in the last century, Rivers may have made her name by trashing herself, but she also fearlessly called out men, sex, childbirth (she would awaken her young sleeping daughter to say, "Melissa, you ripped me to shreds") and gynecology in general. Her remark that "when I need a pick-me-up, I put a little Fresca on a maxi-pad" makes me laugh to this day.


Joan Rivers was so fearless a comedian she even joked about her husband's suicide.

The modern Joan was a more divisive figure. Many found her persona irritating, her comedy predictably mean-spirited, her remarks intentionally provocative. Even so, it was impossible not to admire the indefatigable spirit, the refusal to let anything soften or sag, including her very sharp tongue.

I remember seeing Rivers at the 2007 Oscars, dressing down an official who was attempting to turn her away from the red carpet because she wasn't wearing her credentials.


In 1986 Joan Rivers launched her own late-night talk show "The Late Show Starring Joan Rivers" on Fox. Two of her first guests were Cher and Elton John.

"Oh, my God," she said, with that deep hollow squawk that made her sound like a world-weary and chain-smoking parrot. "If I wasn't who I [expletive] said I was, if I didn't have to [expletive] be here, do you think I would [expletive] be here? In this [expletive] dress and this [expletive] heat? Move that [double expletive] rope."

The man moved the rope.

Her death makes her appearance this year on "The Tonight Show Starring Jimmy Fallon" even more poignant and important. Long a friend and acolyte of Johnny Carson, Rivers famously fell from favor in the 1980s when she took a job hosting a show on another network. Carson never spoke to her again and banned her from "The Tonight Show," an edict both Jay Leno and Conan O'Brien obeyed.

She remained embroiled in controversy, of course, most recently with the writers of "Fashion Police" who turned to Rivers for support in their request to join the Writers Guild. Her refusal fueled yet another public feud.


But then Joan Rivers did not go gentle into any night, good or bad. She made some audiences laugh till they cried, and others fume with anger. She did what she did and then she did it some more.

"I wish I could tell you it gets better," she says to a disheartened Louis C.K. in that very funny and revealing episode of "Louie.""But it doesn't get better. You get better. I've gone up, I've gone down, I've been bankrupt, I've been broke, but you do it. And we do it because we love it more than anything else."

Overcome, Louie kisses her. Shocked, Rivers fights him off, then has a change of heart. "What the hell," she says, motioning to the bedroom. "Just don't tell anyone. I'm thinking of you, not me," she adds. "No one likes a necrophiliac."

Only one person in the world could land a joke like that. Only one person in the world would even attempt a joke like that.

And now she's gone.


* LAT

"THE LIST" HITS ATLANTA!

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Mayan Productions Presents-

AWARD WINNING PEACHANDA DuBOSE's

"THE LIST"


ATLANTA, GA-
On Thursday, October 23, 2014 Mayan Productions will Present- AWARD WINNING Peachanda DuBoses'"The List" in ATLANTA, Georgia.
The acclaimed stage play which has premired across the eastern sea-board, will premier for ONE NIGHT ONLY at the illustrious Porter Sanford III Performing Arts Center located in DeKalb county, Georgia; and then it's gone.

Kim had a "LIST" and he met all of her criteria's but.....


MV5BNDgzNzY1MTM4M15BMl5BanBnXkFtZTgwNjAyMTk5MDE . V1 SX214 CR0 0 214 317 AL
Staring Chicago native -Trae Ireland and featuring A fabulous all star cast!
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 TICKETS TODAY!
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Founded in 2010 by Author-Playwright-FilmMaker-Director and Producer, Peachanda DuBoseMayan Productions produce's both local and nationally renowned performers to bring their message to Stage and Film projects.
Mayan Productions also engages in International Annual Industry Events.
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Mayan Productionsalso serves as the home of the now famous annual- PEACH Theatre Awards- created for the Film, Television, Theatre & the Literary Arts industries, will undertakes it's 2015 award show event upon the Norwegian Cruise Line.
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If you like Drama, Love, Deceit, Betrayl and a little Laughter with your Theatre, then you are going to love...
PURCHASE YOUR TICKETS TODAY!
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Robin Thicke Admits Drug Abuse, Lying to Media

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Interrogated for allegedly ripping off Marvin Gaye, the singer attempts a rock 'n' roll defense: "I didn't do a single interview last year without being high"

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"Blurred Lines," the pop hit that quickly became one of the most fascinating and controversial songs of the young century, has now spawned even more to discuss thanks to the appearance of absolutely bizarre depositions given by the song's singer, Robin Thicke, and producer Pharrell Williams. The sworn testimony, revealed for the first time in a Los Angeles federal court on Monday, covers such subjects as authorship, song credit, drug abuse and media promotion, and almost certainly will change perceptions of a hit recording that was dubbed last year's Song of the Summer.
When "Blurred Lines" was released in March 2013, the catchy harmony became a cultural phenomenon, but since then, there's been substantial reassessment of what the song is all about. In some corners of the public, "Blurred Lines," with lyrics that include "Good girl, I know you want it," has been attacked as "kind of rapey." And in the past few months, Thicke has had to endure accusations of misogyny.
Then there's the lawsuit filed by Thicke, Williams and song co-writer Clifford "T.I." Harris Jr. in an effort to protect "Blurred Lines" against claims of being a rip-off. They're facing off against the children of Marvin Gaye, who in a cross-complaint accuse the plaintiffs of making an unauthorized derivative of their father's 1977 classic "Got to Give It Up."
Last week, Gaye's family filed summary motion papers and also lodged an audio mash-up of the two songs in an effort to win the case. A good portion of the court documents were designated as confidential, but after some back-and-forth between the parties, a judge has ordered that transcripts of the celebrities' depositions shouldn't be sealed. The Hollywood Reporter has obtained copies of the sensational testimony.
Thicke and Williams gave their depositions this past April, and they were both incredibly hostile.
For example, when Richard Busch, attorney for the Gayes, attempted to play the mash-up for Thicke to hear, the singer begged him to stop. "It's so hard to listen to it," said Thicke, referencing a clash between major and minor chords. "It's like nails on a f—ing chalkboard. … This is [like] Stanley Kubrick's movie Clockwork Orange. Where he has to sit there and watch … Mozart would be rolling in his grave right now."
The deposition turns even more strange once Thicke is forced to explain his many statements to the media about how Gaye has inspired him. For example, he once told GQmagazine, "Pharrell and I were in the studio and I told him that one of my favorite songs of all time was Marvin Gaye's 'Got to Give It Up.' I was like, 'Damn, we should make something like that, something with that groove.' Then he started playing a little something and we literally wrote the song in about a half hour and recorded it."
But that's not actually what happened, Thicke now admits.
The singer says under oath that after writing and producing six albums himself, "I was jealous and I wanted some of the credit … I tried to take credit for it later because [Williams] wrote the whole thing pretty much by himself and I was envious of that."
In his deposition (read in full here), Thicke soon gets more specific:
"Q: Were you present during the creation of 'Blurred Lines'?
Thicke: I was present. Obviously, I sang it. I had to be there.
Q: When the rhythm track was being created, were you there with Pharrell?
Thicke: To be honest, that's the only part where — I was high on Vicodin and alcohol when I showed up at the studio. So my recollection is when we made the song, I thought I wanted — I  — I wanted to be more involved than I actually was by the time, nine months later, it became a huge hit and I wanted credit. So I started kind of convincing myself that I was a little more part of it than I was and I — because I didn't want him — I wanted some credit for this big hit. But the reality is, is that Pharrell had the beat and he wrote almost every single part of the song."
Thicke says he was just "lucky enough to be in the room" when Williams wrote the song. Afterward, he gave interviews to outlets like Billboard where he repeated the false origin story surrounding "Blurred Lines" because he says he "thought it would help sell records." But he also states he hardly remembers his specific media comments because he "had a drug and alcohol problem for the year" and "didn't do a sober interview." In fact, when he appeared on Oprah Winfrey's show with his young son and talked about how weird it was to be in the midst of a legal battle with the family of a legendary soul singer who "inspires almost half of my music," Thicke admits he was drunk and taking Norco — "which is like two Vicodin in one pill," he says.
The singer addresses his honesty ("I told my wife the truth. That's why she left me.") and after saying he's been sober for many months, clarifies toward the end of the deposition that he's given up Vicodin but not alcohol.
Despite having limited input into the creation of "Blurred Lines," Thicke was given a co-writer credit, which he says entitles him to about 18-22 percent of publishing royalties. Why would Williams be so generous?
"This is what happens every day in our industry," said Williams during his own deposition (read in full here). "You know, people are made to look like they have much more authorship in the situation than they actually do. So that's where the embellishment comes in."
Williams' own testimony also got off to a belligerent start. At one point during the examination, Williams says he can read music, but then is shown a transcription of a song, and is asked to identify notes and durations. "I'm not comfortable," Williams responds eight times as Busch presses to figure out whether he really can read music.
The producer is evasive in other ways. Asked whether Marvin Gaye has influenced him, Williams says, "He's an Aries. I respect him."
Williams says he didn't go into the studio with the intention of making anything sound like Gaye. He takes the attorneys through his creative process and why the session on "Blurred Lines" was a bit different.
"When I work with a person, I think about three things," he says. "I think about the energy that they're coming with, but this wasn't the case because [Thicke] wasn't there yet. But usually, I think about the energy and what they come in with, like what's on their mind, you know, argument with a girlfriend, email with the husband, politics, state of the world. People walk in with vibes. They walk in with feelings. This was not one of those days."
The producer says he was in the "driver's seat" on this particular song, but does give Thicke some credit in a rather interesting section that seems to imply that white people are victims and beneficiaries of racial discrimination in the music business:
"Q: In your view, what holds 'Blurred Lines' together throughout the different sections?
Williams: What holds it together?
Q: Yeah.
Williams: Robin Thicke's voice.
Q: Does the bass line and the keyboard hold the songs together through the different sections?
A: No.
Q: Why not?
A: Because it's the white man singing soulfully and we, unfortunately, in this country don't get enough — we don't get to hear that as often, so we get excited by it when the mainstream gives that a shot. But there's a lot of incredibly talented white folk with really soulful vocals, so when we're able to give them a shot — and when I say 'we,' I mean like as in the public gives them a shot to be heard, then you hear the Justin Timberlakes and you hear the Christina Aguileras and you hear, you know, all of these masterful voices that have just been given, you know, an opportunity to be heard because they're doing something different."
Williams then adds that if he had sung the song, "It wouldn't be what it was — what it is today."
He admits, though, it's his song. Asked whose creation were the "Blurred Lines" words, he answers, "Mine."
How all this fits into the ongoing lawsuit is an intriguing question in and of itself.
In attempting to keep the depositions private, Howard King and Seth Miller — attorneys for Thicke and Williams — argued that they were hardly relevant and merely intended to "distract attention from the real issues and to embarrass, harass, and annoy Plaintiffs." They begged the judge to take note of the fact that celebrity depositions can be the subject of "untoward media exploitation and public scrutiny," and instructed the judge, "Google 'Justin Bieber deposition.'" (The attorneys were at least successful in getting the judge to keep private the videotaped version of the depositions.)
The transcripts of the depositions don't necessarily refute the plaintiffs' contention in their own summary judgment motion that "Blurred Lines" and "Got to Give It Up" are not substantially similar for purposes of a copyright analysis, but on the road to a trial that is currently scheduled for February 10, 2015, the Gayes believe they have ammunition to destroy the plaintiffs' credibility and honor.
"Thicke, for his part, now claims he made all of his statements while drunk or on drugs, none of them true, and he mentioned Marvin Gaye only to sell records," states the counter-claimants' court papers. "He also actually testified that he is not an honest person. This complete contempt for the judicial system, and their obligations to tell the truth, can best be summed up by Thicke’s ultimate admission, while under oath, that he '[does not] give a f—k' about this litigation."
In response to today's revelations, attorney Howard King of King, Holmes, Paterno & Berliner issued a statement on behalf of Thicke, stating that “Robin's moment of personal vulnerability is being exploited in the hope of diverting attention from the obvious weakness of their legal claim.”

Beyoncé And Jay Z’s Tour Ended In The Sweetest Way...

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The king and queen are no longer on the run.

Beyoncé & Jay Z backstage last night.


































Ever since June, power couple extraordinaire Beyoncé and Jay Z have been slaying crowds all over the world with their hyped-up “On the Run” stadium shows. But the tour officially wrapped last night in Paris, and it was one big, emotional love-fest.
Beyoncé got teary-eyed as she sweetly told her husband, “I’m your biggest fan. I love you so much. Give it up for Mr. Carter!”
*Pause for the emotions to sink in and the feels to be felt.*
Then Jay replied, “I wanna say it’s been an honor and a pleasure sharing the stage with you. I couldn’t dream for anything else to be in a stadium with the woman I love, who I believe is the greatest entertainer of our time. Make some noise for Beyoncé!”


Their sweet exchange totally gives us flashbacks of last month’s VMAs, where Beyoncé emotionally accepted the Video Vanguard Award from Jay and their 2-year-old princess, Blue Ivy.
And speaking of the heir to their throne, Jay revealed last night that Paris was the ideal spot to end their tour because the City of Love definitely lives up to its name. “We love Paris. It’s special to us because we got engaged here and this is where baby Blue was conceived,” he told the crowd.
Was he trying to hint that the couple might be trying for another baby? Pregnancy rumors have been swirling lately, but Jay and Bey were spotted drinking champagne backstage after the show, which may put those rumors to rest once and for all.
In any case, we’re already counting down the days until the couple’s“On the Run” HBO special, which airs September 20. But if last night’s concert was any indication, you’re going to need about a bajillion tissues to soak up the inevitable onslaught of tears and emotions. You’ve been warned.


"Dentistry Healing From The Heart"

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For information, press only:

Angela Moore 

424.204.2203
info@mypublicist.biz
MEDIA ADVISORY

"Dentistry Healing From The Heart"



Stone Mountain, GA— September 18, 2014
The doctors and team at Gentle Family Dentistry P.C., are out to change lives by offering free dental care to those in need.

WHAT: Dr’s. Betty Dillon and Tracy Dillion are Hosting a Day of Free Dentistry to those in need during their 6th annul"Dentistry Healing From The Heart” Health Fair.

WHEN: Saturday September 20, 2014- 8AM until 2PM

WHERE: 900 N. Hairston Road, Ste B Stone Mountain, GA 30083
Dr. Betty Dillon began offering this free dental day back in 2009 and have held the event annually ever since then. Throughout the past 5 years, this event alone has helped over 650 people in need and has provided the Stone Mountain community with over $109,000 in free dental care. “Many local businesses and churches, as well as numerous volunteers have helped to make each year a success.” We continue to reach out to our community leader for donations to help keep this annual event free to those who need us” says Dr. Dillion.

“Now more than ever, I know there are people out there that need our services, but have no means to afford them-whether they’re out of a job, or just don’t have dental insurance. This day of free dental care is my way of giving back to the community, and being there for the people who are in need of dental work.” “In association with the Georgia Dental Society, our doctors will be joined by other top dental professionals, dental hygienists and dental assistants to extend services to include; cleanings, fillings and extractions to Adults and Children beginning at 8AM until 2PM at our Stone Mountain location”.
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For more information on September 18, 2014: www.bettydillondds.com

Rosie O' Talks 50-Pound Weight Loss: "It's Filled With Emotional Turbulence"

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"I have a group that I go to, where women talk about how they feel," she continued. "A lot of marriages break up once one person gets healthy. Luckily, my wife is very healthy, [has] always been healthy, loves me and encourages me to be healthy." In fact, losing weight and taking care of herself was one of her wife’s requirements for marriage. 
Rosie O'Donnell returned to ABC's The View this week weighing more than 50 pounds less than she did the last time she co-hosted the show back in 2007.
But it's been an emotional adjustment for the star.
She suffered a heart attack in 2012 then earlier this year, underwent a vertical gastric sleeve procedure that helped her reach a healthier weight.
'The fact that I look so different has been difficult and unexpected,' she tells Salon.com.
'Everyone assumes that obese people would just be jumping for joy that they were healthier and thinner and able to fit into store-bought sizes, we don’t have to go to the plus store. But it’s also filled with a lot of emotional turbulence, you wouldn’t expect.'
O'Donnell goes on to explain that 'there are many issues for why people gain weight. Some gain weight as a layer of protection. To keep people away from them.'
That was the case with her.
'I never wanted someone to want to approach me in a sexual manner because of my physical body because of child abuse issues,' she says. 'I think they are all interwoven and they don’t exist separately, so they come up, and I’m having to put out fires and talk to my therapist and get through it and find a different way to cope with my anxiety and my feelings of (Post Traumatic Stress Disorder) rather than eating over them.’
O'Donnell's return to The View and the introduction of two new co-hosts joining returning moderator Whoopi Goldberg led to the show's highest ratings in eight years.

Anthony Anderson Thinks Jimmy Kimmel Is "black-ish"

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Anthony Anderson appeared on Jimmy Kimmel Live, where he and Jimmy showed their real-life text exchange that leads to Anthony saying that Jimmy is actually a bit "black-ish." Anthony also talks about his real-life son who auditioned for the role of his TV son in black-ish but didn't get the part despite Anthony being the comedy series' Executive Producer.

Anthony also discuses Laurence Fishburne and dishes on his musician friend Prince, a person he says you should never look in the eye...


See Anthony Anderson in the SERIES PREMIERE of the ABC comedy black-ish on WEDNESDAY, SEPTEMBER 24 9:30|8:30c 


Byron Allen: The Most Successful Black Person In Hollywood

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Forget Tyler Perry And Oprah.

Byron Allen Is The Most Successful Black Person In Hollywood… And You've Probably Never Heard His Name.





Byron Allen Folks, better known professionally as Byron Allen, is an American comedian and television producer, who founded and is the chairman and chief executive officer of U.S. television production company Entertainment Studios.

If you were to ask 10 strangers to name the most powerful African Americans working in Hollywood today, you'd probably hear names like: Oprah Winfrey, Tyler Perry, Will Smith and Denzel Washington.  The name you would probably not hear is "Byron Allen".  
This is pretty insane when you consider that Byron Allen happens to be one of the most powerful and successful producers currently working in the entire entertainment business. He's been 30 shows running currently on television.  He has a staggering net worth of $300 million. And yet, even if you were to ask industry insiders if they've heard of him, most people would look at you blankly. 
nominated for multiple Emmy Awards.  He has a mind-boggling
Byron Allen has been in the entertainment business for decades. He first started out as a standup comedian. At some point Byron shifted his focus to behind-the-scenes producing work.  Over the years, he has quietly built an astoundingly successful entertainment empire that has been called the "Walmart of Television". His empire rivals the likes of Tyler Perry and Oprah Winfrey.  How did he do it?  By working outside the box and creating an entertainment business model that is pure genius…
byron
Byron Allen was born in Detroit, Michigan on April 22, 1961, but grew up in California, near Burbank.  His mother worked as a publicist for NBC Studios, and he would spend his free time watching all of the various productions during rehearsal and taping.  He would often sneak onto the set of "The Tonight Show with Johnny Carson" and pretend to be the talk show host.  Consequently, he knew from an early age he wanted to be in the entertainment business.
Byron got his start performing stand-up while still in high school.  He performed in various venues all around Los Angeles beginning at age 14, making a name for himself with his relaxed, easy style.
One day, Jimmie Walker saw Byron perform, and invited him to join his comedy writing team.  It was an unprecedented honor for a 14-year old kid and he was paid $25 per joke. His fellow writing team members included Jay Leno and David Letterman.  When he was 18, he got more than the chance to sneak onto the "The Tonight Show" stage.  He was invited to perform a stand-up routine on the show, becoming the youngest comedian to ever perform on the popular program.  His one-night gig on "The Tonight Show" was so successful that it led to an offer for Byron to co-host a new talk show called "Real People".  While co-hosting "Real People", he took the opportunity to learn as much as he could about producing, directing, advertising, and how money really worked in the entertainment industry.  He spent his spare time creating relationships with various television stations, speaking directly with advertisers, and becoming acquainted with everyone he could behind-the-scenes.
In the early 90s, Byron began shifting his focus to producing.  He founded Entertainment Studios in 1993 with his mother. She still works at the company today. Together, they quickly produced their first show, "Entertainers with Byron Allen".  The one-hour, syndicated interview series is still on the air, and features him interviewing current television and film stars.  "Entertainers with Byron Allen" was just the beginning of his producing career, however.  Since then, he has grown Entertainment Studios into a powerhouse, by doing something no other distributor has ever done.  Through Entertainment Studios, Byron Allen produces 32 different television series, including "Cars.TV", "America's Court with Judge Ross", "Comics Unleashed", "Beautiful Homes & Great Estates", and "The Young Icons".  If you haven't heard of some of these shows, it's okay.  You're not the only one.
Entertainment Studios is the largest independent producer and distributor of first-run syndicated programming in the world, and it also produces programming for six different 24-hour HD networks, including MyDestination.TV and Recipe.TV. And even though Entertainment Studios might look like your typical production company from the outside, the company is anything but typical.
by
Here's how a typical TV production company operates:
Step 1) Production company sells a show idea to a TV network. 
Step 2) The TV network pays the production company a flat fee per every episode to produce a season of TV. 
Step 3) The TV network goes out to advertisers and tries to make more money selling ads than it pays for the actual show.
For example: Jerry Bruckheimer Television sells a TV show called "CSI Miami" to CBS. CBS agrees to pay Jerry Bruckheimer Television $1 million for 23 episodes of CSI Miami. CBS then goes to advertisers like McDonalds, Coca Cola, Viagra, Lipitor, Ford etc… and convinces these companies to buy advertisements that air during CSI Miami. When it's all said and done, CBS better be making more money off the advertising than it's paying for CSI Miami. In this case, more than $23 million. If not, the show gets dropped and can typically never air again because CBS owns the right of first refusal.
Here's how a typical Byron Allen TV Deal operates:
Rather than relying on the traditional model, Byron Allen does something no other production company does. Instead of charging the networks huge fees for the rights to his shows, he gives away his shows for free.  Yes, you read that correctly – for free. In exchange for giving the content away for free, Byron is given the right to sell 50% of the show's available advertising time, which he then sells directly to brands like Proctor & Gamble, McDonalds, PepsiCo and many more. Whatever he can get for those ads, he keeps. And these dollars are frequently much higher than what he would receive under a traditional production deal.
Step 1) Entertainment Studios produces a show on the cheap.
 Step 2) Entertainment Studios gives that show away to networks for free. 
Step 3) Entertainment Studios gets to sell whatever it can to whoever is interested in buying, for any price they are willing to pay.
logo
All Byron cares about is getting his shows on the air. He's less concerned with the production quality of the show, and more concerned with where he can get it placed, and how much advertising time he can get in exchange.  He then sells the time, most of which is late at night or on Saturdays and Sundays, and walks away with the money.  If a show gets canceled on one network, he is able to simply move it to another network, because he never gives away ownership rights. If a show becomes very popular, he sells it to more than one station.
When you combine the fact that his shows are 100% family friendly and typically attract very large audiences, Entertainment Studios is able to make a killing off selling direct to brands. The end result, is that his company, which he originally launched in his dining room, now has more than 100 employees, its own studio space, administrative offices in Los Angeles, New York, Chicago, Atlanta, Raleigh, and Denver, and a yearly revenue topping $100 million.
Advertisers are clamoring to buy advertising time with him, as well, since he can charge lower prices for the ad time, while still reaching 35 million viewers, largely due to the sheer number of shows he has running. Byron owns 100% of Entertainment Studios to this day. The company owns over 4000 hours of programming. These statistics are impressive enough to rival both Oprah and Tyler Perry's production businesses. And yet, Byron Allen somehow manages to fly totally under the radar! He has been referred to as "TV's Undercover Mogul".
And while his success may be under the radar, that doesn't mean Byron Allen isn't indulging in the finer things in life! In 2012, Byron purchased a very large $17 million mansion in Beverly Hills. His next-door neighbors are Tom Cruise on one side and billionaire Kirk Kerkorian on the other. The home itself is 12,717 square feet spread out over two floors, with 6 bedrooms, 9 bathrooms, a staff room with its own bathroom, 13-foot ceilings, a formal living room, a dining room, a backyard outdoor dining/terrace space, a library, a home office, a private garden, an eat-in kitchen, a private gym, and multiple swimming pools. Byron also owns a NYC penthouse on Fifth Avenue. Here is the Beverly Hills house:
house
In other words, the man is doing well.  As network television scrambles to make money, and immediately cancels those shows that are "underperforming", Byron Allen keeps churning out new projects, including scripted programs such as "Mr. Box Office" and "The First Family".  He then "sells" them with next to no difficulty.  This is one stand-up comedian who found a way to laugh all the way to the bank. 

He's one of the most powerful and wealthiest producers in Hollywood, and yet for some reason, most people have still never heard his name and wouldn't recognize him walking down the street! That's probably the best combination of fame and fortune you could ever want.

The Johnsons are coming to ABC Wednesdays, and everyone's invited!

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"Black-ish": 

"Modern Family" gets a perfect companion in this comedy about a multigenerational upper-class black family that moves to a white neighborhood. 

The dad (Anthony Anderson) starts worrying that his kids will lose their cultural identity, and they might become a little less black (hence the "ish"). Tackling race in this format is bold, but the trifecta of Anderson, Tracee Ellis Ross and Laurence Fishburne just might be able to pull it off. Wednesday, 9:30 p.m. ABC



Truth!



Anthony Anderson & Marcus Scribner are ready on set.




Keep it real? 






Tyler Perry expecting his 1st child

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Tyler Perry’s about to take on his most challenging role yet! The self-made media mogul is going to be a dad!
While celebrating his 45th birthday last week, Tyler revealed he’s about to achieve another huge milestone in his life. He joyfully told guests that he’s expecting his first child!
Although Tyler was thrilled to announce the big news to his friends during the bash, where Stevie Wonder was performing, he supposedly kept the mother’s identity a secret. He has been dating a woman named Gelila Bekele on-and-off for the past years, but we don’t know if they’re on or off right now.
Either way, Tyler is taking a huge step, and we wish him the best!



Idris Elba 'absolutely' wants to play James Bond

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British actor Idris Elba has given fans the biggest hint that he may be the first black actor to play James Bond.

The Luther actor, who recently portrayed Nelson Mandela in a biopic about the former South African president, made the claim in a “Ask Me Anything” session over the weekend.

Asked by one user if he would take on the role of 007 if it was offered to him, Elba said: “Yes, if it was offered to me, absolutely”.

Rumors have long been circulating that 42-year-old Elba is set to be the next Bond after Craig’s tenure comes to an end. Craig is currently cast in forthcoming films Bond 24 and Bond 25.


In pictures: Bond on screen across the years









Elba, who is set to voice tiger villain Shere Khan in Disney’s live-action remake of The Jungle Book, also said that he enjoys playing baddies on-screen.

“I find villains way more compelling to unearth their psyche. Writers love writing for villains because they can get a lot more off their chest, and it just means a lot more stuff for the actor to do,” he said.

“But good guys are also a challenge, because if you don't get the balance between being real and being, you know, a stereo-typically good guy, your character can come across as corny. So each has its challenges, but I think being a bad guy has more."
For fans keen to know more details of the actor’s life, Elba also revealed what he likes to eat for breakfast. “Steak and egg,” he said. “Eggs over medium. With some hot sauce on the side. Maybe a waffle or some brown toast. And some spinach. And then... if I can't get that, then I'll get scrambled eggs and salmon with some avocado.”

Meanwhile, the star has also revealed his favorite Disney film is Mary Poppins. He said: "Classic, man, just classic. The songs, the animation, amazing."

THE 9th ANNUAL PEACHTREE VILLAGE INTERNATIONAL FILM FESTIVAL

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ATLANTA, GA- THE 9th ANNUALPEACHTREE VILLAGE INTERNATIONAL FILM FESTIVAL(PVIFF 2014), THE SOUTHEAST’S PREMIERE INTERNATIONAL FILM AND ARTS FESTIVAL RETURNS WITH AN EXCITING SCHEDULE OF SCREENINGS, EDUCATIONAL FORUMS AND NETWORKING.
SEPTEMBER 26-28 2014 --
▪ EVENT LOCATION: 444 THEATRE, 444 HIGHLAND AVE, NE ATLANTA, GA
▪ HOST HOTEL: ARTMORE HOTEL

9 YEARS OF PVIFF

“We consider this PVIFF year to be our customer appreciation year as we gear up for our 10th anniversary next year.

The film and business community has been gracious to us over the past 9 years.

We’re excited about offering decrease registration costs, great programming with powerful educational forums this year as a pre-event for a year of exciting programs in 2015.

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Celebrities/VIPs/Sponsors:

-Winston Johnson (CEO- Maandi Media Holdings) -Lynn Whitfield -Ambassador Andrew Young -Kiki Haynes -Brad James

-Luxury Hair Direct
-MODUS
-Dominique Nicole (Actress)
-Mary "Honey Bee" Morrison (Acclaimed Author/Playwright)
-Torrei Hart (Star of Atlanta Exes)
-Reno Rankin (Producer/Manager - Producer of Atlanta Exes)
-Grind Hard Energy Drink
-Amy Lance (Financier/Investor- Fund for Philanthropy)
-Howard Gibson (Producer)
-William McKinney (Producer and Founder of Moovie Tyme- www.moovietyme.com)
-Sharon Tomlinson (Producer- Studio 11 Films)
-Deanna Brown (James Brown's Daughter/Entrepreneur)
-Rein Drop Lopes (Pop Rock Artist)
-Obie Bermudez (Latin Grammy Award Winner/Artist)
-Dr. Dionna Hancok-Johnson (Celebrity Life-Coach/Author)
-Gig Music
-Dr. Jacqueline Walters (Star of Married to Medicine)
-Claudette "Bluz Queen" King (Blues Artist/ Daughter of Legendary BB King)
-Billionaire P.A. (Award Winning Motivational Speaker/Artist)
-Michael Lucker (Acclaimed screenplay writer of "Mulan 2,""Vampire in Brooklyn," etc.
-LaRon Harlem, Jr.(Visual Artist)
-Avery Williams (Writer/Producer)
-Merrill Lynch
-Nez Erok (Australian Musician)
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